In Romeo and Juliet, Shakespeare creates a world of violence and generational conflict in which two young people fall in love and die because of that love. The story is rather extraordinary in that the normal problems faced by young lovers are here so very large. It is not simply that the families of Romeo and Juliet disapprove of the lover's affection for each other; rather, the Montagues and the Capulets are on opposite sides in a blood feud and are trying to kill each other on the streets of Verona. Every time a member of one of the two families dies in the fight, his relatives demand the blood of his killer. Because of the feud, if Romeo is discovered with Juliet by her family, he will be killed. Once Romeo is banished, the only way that Juliet can avoid being married to someone else is to take a potion that apparently kills her, so that she is burried with the bodies of her slain relatives. In this violent, death-filled world, the movement of the story from love at first sight to the union of the lovers in death seems almost inevitable.What is so striking about this play is that despite its extraordinary setting (one perhaps reflecting Elizabethan attitudes about hot-blooded Italians), it has become the quintessential story of young love. Because most young lovers feel that they have to overcome giant obstacles in order to be together, because they feel that they would rather die than be kept apart, and especially because the language Shakespeare gives his young lovers is so exquisite, allowing them to say to each other just what we would all say to a lover if we only knew how, it is easy to respond to this play as if it were about all young lovers rather than about a particular couple in a very unusual world. (When the play was rewritten in the eighteen century as The History and Fall of Caius Marius, the violent setting became that of a particularly discordant period in classical Rome; when Leonard Berstein rewrote the play as West Side Story, he chose the violent world of New York street gangs.)...
|Title||:||Romeo and Juliet|
|Format Type||:||Mass Market Paperback|
|Number of Pages||:||283 pages|
|Url Type||:||Home » Romeo » Romeo and Juliet|
Romeo and Juliet Reviews
There is nothing romantic about Romeo & Juliet. If anything, this felt like an intentional mockery to me. So if anyone thinks this is categorized as Romance, I will stare at them like they've lost their heads.
There have been debates about whether or not Romeo & Juliet is a satire. I'm 101% sure that this is a satirical play in which Shakespeare, the genius bastard, mocked and made fun of hot-headed, foolish teenagers. The man laughed in the face of insta-love (lust), and I laughed along ...more
أصبت بحالة جفاف كتابي الأسبوع الماضي، صرت اتجنب الجلوس للكتابة، أؤجلها كل يوم إلى اليوم الذي يليه، أفسر هذه الحالة عندما تأتي بأنها قلق داخلي سببته مواقف صغيرة متفرقة، تجمعت معاً فصارت سداً أمام المزاج المؤاتي الذي يجعلك تكتب.
وها أنا الآن يوم بعد الفالانتاين – حيث يفترض أن العشاق حول العالم تبادلوا الهدايا والوعود -، أجلس لأكتب عن الحب، لأكتب عن روميو وجولييت، قصة الحب الأشهر، صحيح أنه لكل ثقافة قصة عشق تغنيها، ولكن روميو وجولييت اكتسبت القوة الدافعة للحضارة الغربية، فصارت قصة الع ...more
Romeo and Juliet = The Tragedy of Romeo and Juliet, William Shakespeare
Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers.
Romeo and Juliet belongs to a tradition of tragic ...more
Excellent! I can't believe I've waited so long to read this classic play! Having only surmised the story of ROMEO AND JULIET and not even seen the movie (yet) I now know Romeo was a Montague and Juliet a Capulet, two houses at odds. I know about the disastrous duels, the secret marriage, the surprise suitor and the botched plan; and then there's the fatal ending..... I even had that wrong, and OMGOSH they were so young!
I enjoyed actually reading Juliet's melodramatic expressions of love....."O R...more
يعني انت عامل فيها : روميو؟
سؤال استنكاري مرح..لا يعني عبر العالم كله سوى انك عاشق بجنون
نادرة هي الشخصيات الادبية التي تقفز خارج السطور..لتتحول إلى أساطير واقعية..نلفظ باسمها بدلا من جمل تملأ مجلدات
و سر خلود شخصية روميو.انه احد الرجال القلائل في الأدب ..و في الواقع".ممن ضحوا بحياتهم من أجل الحب."
الحب هو مفتاح شخصية ذلك الشاب الذكي...حاد اللسان..المفتقر إلى الوسطية
زاده حبه لجولييت نزقا..و ليس نضجا
و على النقيض نجد جولييت..فرغم سنواتها ال 14تتبلور شخصيتها بعد وقوعها في الحب..و تتحول لفتاة ذات إر ...more
The people who dislike this play are the ones who view common sense over being rational, and prefer to view the world in a structured way. One of the main arguments that come across is the 'meeting, falling in love, and dying all in a weekend when Juliet is but 13'. We all must die in the end, so wouldn't you want to in the name of love than of an awful disease?
Perhaps the two lovers weren't truly in love, but their last living moments were spent believing so, so what does it matter? How can on ...more
True confessions time: I've read Romeo and Juliet at least once, maybe more (probably it was in one of my college English courses) and mostly thought, great poetry, but GAH! silly kids! idiotic people! I've seen it on stage once or twice -- one production cast Romeo's family entirely with black actors and Juliet's family with white ones, to bring the feuding a little closer to home, I guess. It was interesting, but still, didn't really move me. Though I'm sure I teared up during the final scene, ...more
“O Romeo, Romeo, wherefore art thou Romeo?
Deny thy father refuse thy name, thou art thyself thou not a Montegue, what is Montegue? tis nor hand nor foot nor any other part belonging to a man
What is in a name?
That which we call a rose by any other name would smell as sweet,
So Romeo would were he not Romeo called retain such dear perfection to which he owes without that title,
Romeo, Doth thy name!
And for that name which is no part of thee, take all thyself.”
Shakespeare’s template for star-cr ...more